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Fontes contents 2025 (vol. 72)
Vol. 72/1, January-March 2025
Articles
- Music Publishing in Kraków in 1850–1918 Michał Lewicki
- Performing Arts and Noblemen Education: New Perspectives From the Library and Archive of the Collegio San Carlo in Modena (18th–19th Centuries) Riccardo Castagnetti
- ‘The Most Galant and Superb Celebrations’: Musical Performances at Chantilly for the Coronation of Louis XV Mary Cyr
- Archduke Maximilian Franz and the Chamber Music of Leopold Hofmann Allan Badley
Briefs / Feuilletons
Corresponding Editors: South Africa
- Curating a Colonial Archive: The Tamássy-Pauw Flute Scores Collection Esther Marie Pauw
Reviews
- Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era. By Jeremiah Lockwood Alon Schab
- The Motet in the Late Middle Ages. By Margaret Bent Kathleen Sewright
Information for Contributors
Vol. 72/2, April-June 2025
Articles
- From Leningrad to Bloomington: Fëdor Lavrov’s Soviet Punk Legacy and the Ongoing Relevance of Dissent Laikin Dantchenko
- How Tracking RISM’s Footprint Across (South) Africa Led to the Discovery of San Rock Paintings, !Gõin !Gõin, and an Elephant in the Music Room Wilhelm Delport
- Sources of Ignace Pleyel’s Symphonies in Spanish Cathedrals Around 1800 Héctor Eulogio Santos Conde
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