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Events
- online
- Wednesday, 10 December, 2025
- Thessaloniki, Greece
- 28 June, 2026
Archives and Music Documentation Centres
Terms of reference
The Archives and Music Documentation Centres Section addresses topics related to the diverse music-related materials held by the archives of all types of institutions as well as music documentation centres and private collections. It seeks to explore new ways to effectively preserve their holdings and increase awareness of them. To this end it aims to document and draw attention to little-known collections, and to improve access to all such holding institutions.
History
The Archives and Music Documentation Centres Section was established in 1993. It started as a Project Group under the Bibliography Commission in 1984 but since archival questions needed more attention, the need for a new special section gradually became clear.
Over the years the focus has been on presentations of various holdings with the aim of making them better known but at the same time also sharing knowledge on working methods. The section also wants to involve the rich resources found in music documentation centres.
The section supports initiatives aiming at promotion and preservation of archival materials. In connection with this, questions of archival theory and methods are addressed.
Finally, it is important to facilitate the access to music archives. How should institutions best inform about their holdings? Databases, outreach and publications have been topics for discussion. From 2005-2017, the section also had a special working group dealing with the question of access: the Project Group on the Access to Music Archives. From 2019–2022, a new Project Group was active called the Project Group on RISM Series C.
Projects
Officers:
2024-2027
Chair: Aris Bazmadelis (Άρης Μπαζμαδέλης), Library and Archives of the School of Music Studies, Aristotle University of Thessaloniki, Greece
Vice-Chair: Beulah Gericke-Geldenhuys, Stellenbosch University Library, South Africa
Secretary: Sabina Benelli, Archivio Musicale, Fondazione Teatro alla Scala, Milano, Italy
Past officers:
2021-2024:
Jaska Järvilehto, FInland (chair 2023-2024 ; vice-chair 2021-2023) – Joseph Hafner, Canada (vice-chair 2023-2024 ; chair 2021-2023) – Eric Mortensen, U.S.A., (secretary)
2017 – 2021:
Marie Cornaz, Belgium (chair) – Marie-Gabrielle Soret, France (vice-chair) – Hanna Bias, Poland (secretary)
2014 – 2017:
Marie Cornaz, Belgium (chair) – Thomas Aigner, Austria (vice-chair) – Clotilde Angleys, France (secretary)
2011 – 2014:
Marie-Gabrielle Soret, France (chair) – Marie Cornaz, Belgium (vice-chair) – Federica Riva, Italy (secretary)
2008 – 2011:
Marguerite Sablonnière, France (chair) – Paul Banks, UK (vice-chair) – Manuel Erviti, USA (secretary)
2005 – 2008:
John Shepard, USA (chair) – Marguerite Sablonniere, France (vice-chair) – Katharine Hogg, UK (secretary)
2002 – 2005:
Judy Tsou, USA (chair) – Chris Banks, UK (vice-chair) – John Shepard, USA (secretary)
1999 – 2002:
Judy Tsou, USA (chair) – Chris Walton, Switzerland (vice-chair) – Chris Banks, UK (secretary)
Activities
- Archives and Music Documentation Centres Section – 2022 Pre-Congress Report
- Archives and Music Documentation Centres Section – Congress Summary 2019
- Archives and Music Documentation Centres Section – Congress Summary 2016
- Archives and Music Documentation Centres – Pre-Congress Report 2018
- Archives and Music Documentation Centres Section – Congress Summary 2017
- Archives and Music Documentation Centres – Report 2017
Materials presented in the sessions
- The Falla Project: an archival description of the correspondence of Manuel de Falla (video)Elena García de Paredes de Falla (Archivo Manuel de Falla), Candela Tormo Valpuesta (Archivo Manuel de Falla), María Josefa Villanueva Toledo (Centro de Información Documental de Archivos) and Antonio Álvarez Cañibano (Archivos Estatales)
- The Falla Project: an archival description of the correspondence of Manuel de Falla (text)Elena García de Paredes de Falla (Archivo Manuel de Falla), Candela Tormo Valpuesta (Archivo Manuel de Falla), María Josefa Villanueva Toledo (Centro de Información Documental de Archivos) and Antonio Álvarez Cañibano (Archivos Estatales)
- The Falla Project: an archival description of the correspondence of Manuel de Falla (slides)Elena García de Paredes de Falla (Archivo Manuel de Falla), Candela Tormo Valpuesta (Archivo Manuel de Falla), María Josefa Villanueva Toledo (Centro de Información Documental de Archivos) and Antonio Álvarez Cañibano (Archivos Estatales)
- The archives of the Canadian Branch (CAML)Janneka Guise (University of Toronto)
- The archives of the Besson company: a rare historical source on wind instrument making soon onlineFabienne Gaudin and Cécile Cecconi (Cité de la musique, Philharmonie de Paris)
- The Aleksander Kulisiewicz Collection at the United States Holocaust Memorial MuseumBret Werb (United States Holocaust Memorial Museum)
- Chopin, Nationalism and Armed Conflict: Édouard Ganche and His Collection during World War IIRenata Suchowiejko (Jagiellonian University, Kraków)
- Cataloguing of Music Archive Fonds at the National Library of FranceValère Etienne (Bibliothèque nationale de France, Paris)
- Music Papers on Movement, 1936-1939: the Case of Spanish Civil WarJon Bagüés (Eresbil, Errenteria, representing the group of research institutions of AEDOM – the Spanish Branch of IAML)
- Reconsidering modern Greek musical history through the Athens Conservatoire Archives (slides)Stella Kourmpana (Athens Conservatoire)
- Documenting contemporary music – possibilities and challenges for contemporary music archives in the digital ageKatrin Bicher (Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden)
- Rethinking Church Music in Francophone space during the 18th Century: the Musical Archives of the church of Saint Vincent de Soignies (Belgium)Fabien Guilloux (Institut de recherche en musicologie, Paris)
- The International Kurt Masur Institute Leipzig and its archiveAnnett Büttner (Kurt-Masur-Archiv, Leipzig)
- Reconsidering modern Greek musical history through the Athens Conservatoire Archives (presentation of the archive)Stella Kourmpana (Athens Conservatoire)
- Confidentially yours. The confidential letters of Giulio RicordiPatrizia Rebulla (Archivio Storico Ricordi, Milan)
- Digitizing sound archives at Royal Library of Belgium : challenges and difficulties encountered within a huge digitization projectFrédéric Lemmers (Royal Library of Belgium, Brussels)
- Die Musikmanuskripte in den Repositorien Lettlands: Ein Bericht über Fonds, deren Zustand und ErforschungssituationLolita Fūrmane (Jāzeps Vītols Latvian Academy of Music, Riga)
- Le Fonds Olivier Messiaen au Département de la musique de la Bibliothèque nationale de France : une entrée exceptionnelle. Présentation et méthodologie de traitementMarie‐Gabrielle Soret (Bibliothèque nationale de France, Département de la musique, Paris)
- Polish Music Center at USC and its unique manuscript collectionMarek Żebrowski (Polish Music Center, Thornton School of Music, University of Southern California, Los Angeles)
- The musical archives of the Giorgio Cini Foundation in Venice: Valorisation and cataloguingAngela Carone and Francisco Rocca (Fondazione Giorgio Cini, Venice)
- Setting the stage for a broad digital network: Positioning the Archivio Storico Ricordi as a hub for collaborative projectsPierluigi Ledda and Gabriele Dotto (Archivio Storico Ricordi, Milan)
- Ein Archiv schreibt Musikgeschichte – 200 Jahre Schott-Archiv MainzMartina Rebmann (Staatsbibliothek zu Berlin)